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American Classical Music: The Sound of Music
Date:  2005-9-13---9-15
Time:  19:30
Troupe :  American Broadway
Form :  Music Drama
Number of Performance:  8 ( Altogether )
Price:  RMB VIP1(1200)/VIP2(1000)/800/600/400/200
Place:  Opera House
 

The Sound of Music (1965) was an exceptionally successful film in the mid-1960s - at the time of its release, it surpassed Gone With the Wind (1939) as the number one box office hit of all time. It was the high-point of the Hollywood musical. [In 1978, the film's status as the most successful musical was finally surpassed by Grease (1978). However, it was earlier ousted by the box-office epic The Godfather (1972).]

This wholesome production from producer/director Robert Wise (of the previously popular West Side Story (1961) for which he won the same two Oscars) and 20th Century Fox has become one of the most favorite, beloved films of moviegoers. It is a joyous, uplifting, three-hour adaptation of Richard Rodgers and Oscar Hammerstein II's 1959 hit Broadway stage musical (that starred Mary Martin). [This was the well-known partnership's last collaboration]. The story follows a good-natured, flighty novitiate (Andrews) who is hired to care for the seven children of a militaristic, icy, widowed Austrian captain (Plummer). She ultimately wins the heart of the children - and the captain, but their lives are threatened by the encroachment of Nazis.

Marketing slogans cried: "The Happiest Sound in All the World." Ernest Lehman's screenplay was based on the book by Howard Lindsay and Russel Crouse. That book was in turn based on Baroness Maria von Trapp's 1949 autobiography (The von Trapp Family Singers) about the exploits of the family of singers and their escape from the Nazis in Austria in 1938. The first film version was a German film titled Die Trapp-Familie (1956), with a sequel Die Trapp-Familie in Amerika (1958). After the 1965 film's enormous success, Fox Studios unwisely invested millions in three more, less profitable, blockbuster musicals in the late 60s - Dr. Doolittle (1967), Star! (1968), and Hello, Dolly! (1969).

The star of the film was the previous year's Best Actress Academy Award winner, a fresh-faced Julie Andrews in a similar role as her governess performance in Mary Poppins (1964). She is accompanied by her lovely singing voice, glorious, on-location travelogue views of Salzburg, Austria filmed in 70 mm, and melodic, memorable sing-along tunes, including "Maria," "The Sound of Music," "My Favorite Things," "You Are Sixteen, Going On Seventeen," "Climb Ev'ry Mountain," "Do-Re-Mi," and "Edelweiss."

In fact, there was an interactive, audience-participation version imported from London in 2000 - a limited theatrical re-release of The Sound of Music with subtitled musical numbers to allow for sing-a-long participation. Audiences were also invited to dress up in The Sound of Music-inspired costumes, and to react with props (such as an artificial sprig of edelweiss) provided in a Fun Pak. ["Sing-A-Long Sound of Music" first emerged at the 1988 London Gay and Lesbian Film festival after an event organizer heard that staff at a retirement home in the Scottish town of Inverness had distributed song sheets during a video showing of Seven Brides for Seven Brothers (1954) for sing-along participation. The film was screened at the festival as a sing-along and proved wildly successful.]

The sentimental, entertaining musical was nominated for ten Academy Awards, and came away with five major wins: Best Picture and Best Director (Robert Wise), Best Sound, Best Score (Irwin Kostal), and Best Film Editing (William Reynolds). Its other five nominations were for Best Actress (Julie Andrews who lost to Julie Christie in Darling), Best Supporting Actress (Peggy Wood), Best Color Cinematography (Ted McCord), Best Color Art Direction/Set Decoration, and Best Color Costume Design.

 

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